out of a variety of nowheres

That's where the writing gets done, largely.  The writing and the thinking.

Your Warren Ellises of the world will talk up their gear and their precious rituals for genius and the albums they were given as gifts and the live shows they saw and the meals they ate and the booze they saturated them with and the gardening they struggle over.  They will blog.  They have blogged.  They are blog.

Yet I am blog, and you can too.  Because you do not need the frills & the fripperies of a content hound to triangulate the origins of inspiration.  You can pick up those signals... anywhere, everywhere, and in my case, most readily, in a wide variety of nowheres.

Of late I refer to them as Woods Offices.  I have two Woods Offices--  the first so designated is nice in spring but utterly inaccessible by summer.  It consists of a log thrown across some other fallen logs, by a fence, right next to the Evanston channel trail.  Woods Office number two is technically a River Office, as it's beneath an overpass, but the woods are also right there.  These are places I habitually hang out in the hour(s) before my actual job begins.  I'm a compulsive tidier, so when I head out it's with plastic bags & vinyl gloves at hand, the better to clean the world with.  Usually I average one to two commercial grade trashbags.  This past couple weeks I've pulled gallon cans of paint outta the woods, found a cop's lost maglite, cleaned a burnt-down homeless encampment, et cetera.

I may often be found at the beach, picking up.  You would wrinkle your nose at the things I've picked up.  Just rest assured I do so with a great many precautions & barriers between myself and worldly filth.  The upshot of this compulsive behavior, while distracting, is that it calms me and leads me to Notice all kinds of oddments.  The cleaning has rewards built in, as well.  My new Leatherman multi-tool, for instance, came from a beach clean, as did my new collection of novelty cocaine spoons.

The point I am making here, painfully slowly, is that one may find inspiration in the world, in a wide variety of nowheres.  The cocaine spoons are useless to me, practically & personally, but it's a lovely character note to append somewhere within A HERO OF THE FEVER.  Because...  the sort of personality that would collect coke spoons?  That's something I couldn't have brainstormed.

It takes being in the world.

Warren Ellis might have been able to conjure the cokespoon collector.  Because himself is a poseur and a degenerate who quite enjoyed cocaine.  I also imagine that, though he was once as scrawny and gutter-oriented as myself, he only hung out in curious out-of-the-way overlaps of urbanism & opportunistic nature as a hipster flex in his twenties.  Carousing, like.  Doing his weekend warrior bit with the lads, getting into shit, desperate to pull some bird.  

Whereas I've always been the guy who needs to avoid humans.  And if you need to avoid humans, you explore.  Now I know how to access the Metra rail corridor.  Like, there's a great deal of mapmaking that gets done, just walking around.  Because people take walking for granted.  North American urbanoids rely on their cars for virtually every sojourn and consequently never get to grips with how their city is constructed.  It's very, very useful to know every square inch of the places you live & work.

Anyway, recon:  It's how creation gets done, as much as any of the Art or Craft shit I usually drone on about.  I've written four going on five books by being absolutely nowhere, writing at fucking dumb hours, in conditions of relative-to-absolute dark, cold, and rain-- by being persistent, prepared, and pathological.

Try it.